Update: For this month we are going to add a 101st title to the list in honor of the great Joan Rivers, one that’s been on here before so has always been worthy: Joan Rivers: A Piece of Work. The Joan Rangers here at Nonfics salute you one of the finest, funniest doc subjects in years. R.I.P.
Rather than update our original list of the 100 Best Documentaries on Netflix whenever a film expires or is added, we’d like to post a new version each month to keep things tidy and less confusing. And to make it even nicer for all of you, we’re going to note everything that has joined or left the guide.
A few days ago, I discovered that our Netflix 100 has been missing a very important film. In fact, it’s the film that was recently voted the best documentary of all time. For some reason Netflix doesn’t classify Man with a Movie Camera as a doc, which makes me wonder what other titles we might be missing. That has now been added, and you’ll see that it’s been placed in the number one slot. Not necessarily because we think it’s the best (though it’s among the 10 best according to yours truly), just clearly the most necessary at the moment, according to that Sight & Sound poll.
Other titles we’ve added are The Unknown Known, because every Errol Morris doc is necessary, and Mission Blue, because it fits nicely with the passionate scientists of Particle Fever. Both of those were only recently added to the streaming service. You’ll notice they’ve been highlighted in blue. As have the following necessities I discovered and picked out from the archives: Pumping Iron and Fela Kuti: Music is the Weapon, which is worth watching in addition to or instead of Alex Gibney’s new doc Finding Fela!
Of course these five films had to take the place of some that expired or that we simply had to take out ourselves. The former include High Tech, Low Life and The Interrupters. The latter include Elaine Stritch: Shoot Me, Afternoon of a Faun: Tanaquil Le Clercq and First Position. No offense to any of these. We still recommend them. Just think of it as this: wow, there are even more than 100 great docs streaming on Netflix.
Now a reminder of how the titles are numerically arranged:
They are mostly ranked in order of my favor with some objective authority, but there are some clumps throughout the list that obviously fit together. Some are by director, some are by genre or subject matter and some are by series — the Up installments are of varied quality, for instance, but they should be seen in order. In fact, I see this whole list as being best watched in order of the rankings. There are a few double features in the bunch (Dogtown and Z-Boys and This Ain’t California and The Act of Killing and Camp 14, for two example sets) and some grouping where I truly think the higher ranking title is best watched before a certain title or titles below it.
- Man with a Movie Camera (Dziga Vertov, 1929)
- The Thin Blue Line (Errol Morris, 1988)
- Hoop Dreams (Steve James, 1994)
- Sherman’s March (Ross McElwee, 1986)
- Bright Leaves (Ross McElwee, 2003)
- Stories We Tell (Sarah Polley, 2012)
- Brother’s Keeper (Joe Berlinger and Bruce Sinofsky, 1992)
- Encounters at the End of the World (Werner Herzog, 2007)
- Cave of Forgotten Dreams (Werner Herzog, 2010)
- Pina (Wim Wenders, 2011)
- Paris is Burning (Jennie Livington, 1990)
- Man on Wire (James Marsh, 2008)
- Senna (Asif Kapadia, 2010)
- Foreign Parts (Verena Paravel and J.P. Sniadecki, 2010)
- Leviathan (Verena Paravel and Lucien Castaing-Taylor, 2012)
- Particle Fever (Mark Levinson, 2013)
- Mission Blue (Robert Nixon and Fisher Stevens, 2014)
- Seven Up (Paul Almond, 1964)
- 7 Plus Seven (Michael Apted, 1970)
- 21 Up (Michael Apted, 1977)
- 28 Up (Michael Apted, 1985)
- 35 Up (Michael Apted, 1991)
- 42 Up (Michael Apted, 1998)
- 49 Up (Michael Apted, 2005)
- 56 Up (Michael Apted, 2012)
- The Civil War (Ken Burns, 1990)
- The Central Park Five (Ken Burns, Sarah Burns and David McMahon, 2012)
- Aileen Wuornos: Selling of a Serial Killer (Nick Broomfield, 1993)
- Aileen: Life and Death of a Serial Killer (Nick Broomfield, 2003)
- The Unknown Known (Errol Morris, 2013)
- War Don Don (Rebecca Richman Cohen, 2010)
- This Is Not a Film (Jafar Panahi, 2011)
- The Missing Picture (Rithy Panh, 2013)
- The Act of Killing (Joshua Oppenheimer, 2012)
- Camp 14: Total Control Zone (Marc Wiese, 2012)
- The Red Chapel (Mads Brugger, 2009)
- The Ambassador (Mads Brugger, 2011)
- The Imposter (Bart Layton, 2012)
- Winged Migration (Jacques Perrin, Jacques Cluzaud and Michel Debats, 2001)
- Vivan las Antipodas (Victor Kossakovsky, 2011)
- Samsara (Ron Fricke, 2011)
- Life in a Day (Kevin MacDonald and Natalia Andreadis, 2011)
- Touching the Void (Kevin MacDonald, 2003)
- Let the Fire Burn (Jason Osder, 2013)
- How to Survive a Plague (David France, 2012)
- We Were Here (David Weissman and Bill Weber, 2011)
- Cutie and the Boxer (Zachary Heinzerling, 2013)
- Crazy Love (Dan Klores, 2007)
- Monica & David (Alexandra Codina, 2009)
- Maidentrip (Jillian Schlesinger, 2013)
- Jesus Camp (Rachel Grady and Heidi Ewing, 2006)
- Detropia (Rachel Grady and Heidi Ewing, 2012)
- Control Room (Jehane Noujaim, 2004)
- The Square (Jehane Noujaim, 2013)
- 5 Broken Cameras (Emad Burnat and Guy Davidi, 2012)
- Fela Kuti: Music is the Weapon (Jean Jacques Flori and Stephane Tchalgadjieff, 1982)
- Enron: The Smartest Guys in the Room (Alex Gibney, 2005)
- Client 9: The Rise and Fall of Eliot Spitzer (Alex Gibney, 2010)
- The House I Live In (Eugene Jarecki, 2012)
- Into the Abyss (Werner Herzog, 2011)
- Gideon’s Army (Dawn Porter, 2013)
- Which Way Home (Rebecca Cammisa, 2009)
- Girl Model (David Redmon and Ashley Sabin, 2011)
- Radio Bikini (Robert Stone, 1988)
- Pandora’s Promise (Robert Stone, 2013)
- Countdown to Zero (Lucy Walker, 2009)
- Gasland (Josh Fox, 2010)
- FrackNation (Phelim McAleer, Ann McElhinney and Magdalena Segieda, 2013)
- Dirty Wars (Rick Rowley, 2013)
- Call Me Kuchu (Katherine Fairfax Wright and Malika Zouhali-Worrall, 2012)
- The Black Power Mixtape 1967–1975 (Goran Olsson, 2011)
- Armadillo (Janus Metz Pedersen, 2010)
- Restrepo (Sebastian Junger and Tim Hetherington, 2010)
- Hell and Back Again (Danfung Dennis, 2011)
- Dogtown and Z-Boys (Stacy Peralta, 2002)
- This Ain’t California (Marten Persiel, 2012)
- Style Wars (Tony Silver, 1983)
- After Tiller (Martha Shane and Lana Wilson, 2013)
- The Invisible War (Kirby Dick, 2012)
- 20 Feet From Stardom (Morgan Neville, 2013)
- Pumping Iron (George Butler and Robert Fiore, 1977)
- Bigger, Stronger, Faster (Chris Bell, 2008)
- Far Out Isn’t Far Enough: The Tomi Ungerer Story (Brad Bernstein, 2012)
- The Art of the Steal (Don Argott, 2009)
- Helvetica (Gary Hustwit, 2007)
- Objectified (Gary Hustwit, 2009)
- Urbanized (Gary Hustwit, 2011)
- Exit Through the Gift Shop (Bansky, 2010)
- Marwencol (Jeff Malmberg, 2010)
- Her Master’s Voice (Nina Conti, 2012)
- Ai Weiwei: Never Sorry (Alison Klayman, 2012)
- 1428 (Du Haibin, 2009)
- Blackfish (Gabriela Cowperthwaite, 2013)
- The Whale (Suzanne Chisholm and Michael Parfit, 2011)
- Berkeley in the Sixties (Mark Kitchell, 1990)
- A Fierce Green Fire (Mark Kitchell, 2012)
- Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)
- The Queen of Versailles (Lauren Greenfield, 2012)
- Tabloid (Errol Morris, 2010)
- Vernon, Florida (Errol Morris, 1981)
- Joan Rivers: A Piece of Work (Ricki Stern and Anne Sundberg)