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Christopher Campbell
The Latest
The Best Documentaries on Netflix in August 2020
This month's additions include a feature documentary about the Paralympic Games and a docuseries on immigration with unprecedented access to ICE agents.
Review: Melvin Van Peebles Documentary ‘How to Eat Your Watermelon in White Company (and Enjoy It)’
A phenomenal outline of Melvin Van Peebles' prolific and varied life.
Bill Ross on the Making of ‘Tchoupitoulas’
From the archives, we interviewed one-half of the Ross brothers about their hit documentary.
The Best Documentaries on Netflix in July 2020
This month's new additions include a film about a legendary, gender non-conforming, cape-wearing TV psychic, a series about Michael Jordan, and the return of 'I Am Not Your Negro.'
The Best Documentaries of 2020 So Far
Our ongoing list of the best documentaries of 2020 includes 'The Painter and the Thief,' 'Athlete A,' 'On the Record,' and more.
‘Hillary’ and ‘Frontline’ Named Critics’ Choice for Best Documentary Series
Other documentary series winners include the Netflix titles 'Cheer,' 'The Last Dance,' and 'Jeffrey Epstein: Filthy Rich.'
2020 Critics Choice Real TV Awards Nominees Include ‘Cheer’ and ‘The Last Dance’
Netflix's popular cheerleading series topped all programs with five nominations.
Double Feature: Sheep Herding in ‘Grass’ and ‘Sweetgrass’
A look back at two films, released in 1925 and 2009, that follow sheep herding migrations.
The Best Documentaries on Netflix in June 2020
This month we spotlight the latest from Bonni Cohen and Jon Shenk, who again turn their attention on the sexual assault of young women.
The Best Documentaries on HBO MAX
The new streaming service is chock full of classic and essential nonfiction films and docuseries.
Watch: This is Not a Remake
A short documentary set during the Persian New Year amidst the COVID-19 pandemic is another reminder that we're all in this together.
A Documentary Can Not Be Undone
After nonfiction films end, life goes on and change happens. But what comes next doesn't always matter for the real stories at hand.
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