Rather than update our original list of the 100 Best Documentaries on Netflix whenever a film expires or is added, we’d like to post a new version each month to keep things tidy and less confusing. And to make it even nicer for all of you, we’re going to note everything that has joined or left the guide.
This month, I’ve given Alan Berliner a shot at the Netflix 100. This list isn’t just for films I or we love, but even more so a list of essentials. It’s like a really, really long syllabus for a course on the introduction and appreciation of documentary. Berliner is an important part of nonfiction cinema, and while I’m not a really big fan of the works of his I’ve seen, I decided to include at least one important example. So, Intimate Stranger pops in at #7, appropriately near the family focused docs of Ross McElwee and Sarah Polley. Later films of his on Netflix Watch Instantly currently include Nobody’s Business, The Sweetest Sound, Wide Awake and his breakthrough compilation film Family Album, which I personally find rather irritating.
Another important addition this month is Virunga, which Netflix is distributing and debuting on November 7th. It’s one of our favorite docs of the year, so we’re adding now ahead of its premiere rather than waiting until next month. Another I’m adding in this month is Margaret Brown’s The Order of Myths, since her latest, The Great Invisible, recently opened in theaters, and then there’s AJ Schnack’s Caucus, which is fairly new to Netflix Watch Instantly and is already a must for any election month. Be aware that if you like that, Schnack also has We Always Lie to Strangers streaming on the service, too.
The four new inclusions on the list take the place of four that have expired from Watch Instantly, sadly: The Ambassador, Vivan las Antipodas, Marwencol and Her Master’s Voice.
Now a reminder of how the titles are numerically arranged:
They are mostly ranked in order of my favor with some objective authority, but there are some clumps throughout the list that obviously fit together. Some are by director, some are by genre or subject matter and some are by series — the Up installments are of varied quality, for instance, but they should be seen in order. In fact, I see this whole list as being best watched in order of the rankings. There are a few double features in the bunch (Dogtown and Z-Boys and This Ain’t California and The Act of Killing and Camp 14, for two example sets) and some grouping where I truly think the higher ranking title is best watched before a certain title or titles below it.
- Man with a Movie Camera (Dziga Vertov, 1929)
- The Thin Blue Line (Errol Morris, 1988)
- Hoop Dreams (Steve James, 1994)
- Sherman’s March (Ross McElwee, 1986)
- Bright Leaves (Ross McElwee, 2003)
- Stories We Tell (Sarah Polley, 2012)
- Intimate Stranger (Alan Berlinger, 1991)
- Brother’s Keeper (Joe Berlinger and Bruce Sinofsky, 1992)
- Encounters at the End of the World (Werner Herzog, 2007)
- Cave of Forgotten Dreams (Werner Herzog, 2010)
- Pina (Wim Wenders, 2011)
- Paris is Burning (Jennie Livington, 1990)
- The Order of Myths (Margaret Brown, 2008)
- Man on Wire (James Marsh, 2008)
- Senna (Asif Kapadia, 2010)
- Foreign Parts (Verena Paravel and J.P. Sniadecki, 2010)
- Leviathan (Verena Paravel and Lucien Castaing-Taylor, 2012)
- Manakamana (Stephanie Spray and Pacho Velez)
- Seven Up (Paul Almond, 1964)
- 7 Plus Seven (Michael Apted, 1970)
- 21 Up (Michael Apted, 1977)
- 28 Up (Michael Apted, 1985)
- 35 Up (Michael Apted, 1991)
- 42 Up (Michael Apted, 1998)
- 49 Up (Michael Apted, 2005)
- 56 Up (Michael Apted, 2012)
- The Civil War (Ken Burns, 1990)
- Aileen Wuornos: Selling of a Serial Killer (Nick Broomfield, 1993)
- Aileen: Life and Death of a Serial Killer (Nick Broomfield, 2003)
- The Unknown Known (Errol Morris, 2013)
- This Is Not a Film (Jafar Panahi, 2011)
- Virunga (Orlando von Einsiedel, 2014)
- War Don Don (Rebecca Richman Cohen, 2010)
- The Missing Picture (Rithy Panh, 2013)
- The Act of Killing (Joshua Oppenheimer, 2012)
- Camp 14: Total Control Zone (Marc Wiese, 2012)
- The Red Chapel (Mads Brugger, 2009)
- The Imposter (Bart Layton, 2012)
- Winged Migration (Jacques Perrin, Jacques Cluzaud and Michel Debats, 2001)
- Samsara (Ron Fricke, 2011)
- Life in a Day (Kevin MacDonald and Natalia Andreadis, 2011)
- Touching the Void (Kevin MacDonald, 2003)
- Let the Fire Burn (Jason Osder, 2013)
- How to Survive a Plague (David France, 2012)
- We Were Here (David Weissman and Bill Weber, 2011)
- Cutie and the Boxer (Zachary Heinzerling, 2013)
- Crazy Love (Dan Klores, 2007)
- Maidentrip (Jillian Schlesinger, 2013)
- Jesus Camp (Rachel Grady and Heidi Ewing, 2006)
- Detropia (Rachel Grady and Heidi Ewing, 2012)
- Caucus (AJ Schnack, 2013)
- Control Room (Jehane Noujaim, 2004)
- The Square (Jehane Noujaim, 2013)
- 5 Broken Cameras (Emad Burnat and Guy Davidi, 2012)
- Enron: The Smartest Guys in the Room (Alex Gibney, 2005)
- The House I Live In (Eugene Jarecki, 2012)
- Into the Abyss (Werner Herzog, 2011)
- Gideon’s Army (Dawn Porter, 2013)
- Which Way Home (Rebecca Cammisa, 2009)
- Girl Model (David Redmon and Ashley Sabin, 2011)
- Particle Fever (Mark Levinson, 2013)
- Cool It (Ondi Timoner, 2010)
- Radio Bikini (Robert Stone, 1988)
- Pandora’s Promise (Robert Stone, 2013)
- Countdown to Zero (Lucy Walker, 2009)
- Gasland (Josh Fox, 2010)
- FrackNation (Phelim McAleer, Ann McElhinney and Magdalena Segieda, 2013)
- Dirty Wars (Rick Rowley, 2013)
- Call Me Kuchu (Katherine Fairfax Wright and Malika Zouhali-Worrall, 2012)
- The Black Power Mixtape 1967–1975 (Goran Olsson, 2011)
- Armadillo (Janus Metz Pedersen, 2010)
- Restrepo (Sebastian Junger and Tim Hetherington, 2010)
- Hell and Back Again (Danfung Dennis, 2011)
- Dogtown and Z-Boys (Stacy Peralta, 2002)
- This Ain’t California (Marten Persiel, 2012)
- After Tiller (Martha Shane and Lana Wilson, 2013)
- The Invisible War (Kirby Dick, 2012)
- 20 Feet From Stardom (Morgan Neville, 2013)
- Pumping Iron (George Butler and Robert Fiore, 1977)
- Bigger, Stronger, Faster (Chris Bell, 2008)
- Far Out Isn’t Far Enough: The Tomi Ungerer Story (Brad Bernstein, 2012)
- The Art of the Steal (Don Argott, 2009)
- Exit Through the Gift Shop (Bansky, 2010)
- Helvetica (Gary Hustwit, 2007)
- Objectified (Gary Hustwit, 2009)
- Urbanized (Gary Hustwit, 2011)
- Print the Legend (Luis Lopez and J. Clay Tweel)
- Make Believe (J. Clay Tweel)
- Joan Rivers: A Piece of Work (Ricki Stern and Anne Sundberg)
- Justin Bieber: Never Say Never (Jon M. Chu)
- Ai Weiwei: Never Sorry (Alison Klayman, 2012)
- 1428 (Du Haibin, 2009)
- Blackfish (Gabriela Cowperthwaite, 2013)
- The Whale (Suzanne Chisholm and Michael Parfit, 2011)
- Berkeley in the Sixties (Mark Kitchell, 1990)
- A Fierce Green Fire (Mark Kitchell, 2012)
- Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)
- The Queen of Versailles (Lauren Greenfield, 2012)
- Tabloid (Errol Morris, 2010)
- Vernon, Florida (Errol Morris, 1981)