Rather than update our original list of the 100 Best Documentaries on Netflix whenever a film expires or is added (as I said we would), we’d actually like to post a new version each month to keep things tidy and less confusing. And to make it even nicer for all of you, we’re going to note everything that has joined or left the guide.
For this month’s update to our list of the 100 most necessary documentaries to stream on Netflix, we’ve added nine titles. Most of them are recent new additions to the service, but there’s also Ken Burns’s The Civil War, which we wrongly thought expired last month (along with most of the filmmaker’s other works). We’ve also included Elaine Stritch: Shoot Me, because the subject died last month, switching out the somewhat similar Joan Rivers: A Piece of Work. Also, for some reason we didn’t already have i on here (it’s on our list of best docs about the Internet) and felt the need since it’s leaving Netflix on August 16th. Halfway through the month you can switch it out for the series Cosmos: A SpaceTime Odyssey, which comes to Netflix on
The newly added titles are Particle Fever, War Don Don, Maidentrip, Gideon’s Army, FrackNation, After Tiller and Afternoon of a Faun: Tanaquil le Clercq. Of course they had to take the place of some films that expired or that we simply had to take out ourselves. The former include (spot the theme) Iraq in Fragments and No End in Sight. The latter includes Cool It, Last Call at the Oasis, Hit So Hard, Beware of Mr. Baker, How to Grow a Band, Last Days Here and Brooklyn Castle. No offense to any of these. We still recommend them. Just think of it as this: wow, there are even more than 100 great docs streaming on Netflix.
Now a reminder of how the titles are numerically arranged:
They are mostly ranked in order of my favor with some objective authority, but there are some clumps throughout the list that obviously fit together. Some are by director, some are by genre or subject matter and some are by series — the Up installments are of varied quality, for instance, but they should be seen in order. In fact, I see this whole list as being best watched in order of the rankings. There are a few double features in the bunch (Dogtown and Z-Boys and This Ain’t California and The Act of Killing and Camp 14, for two example sets) and some grouping where I truly think the higher ranking title is best watched before a certain title or titles below it.
- The Thin Blue Line (Errol Morris, 1988)
- Hoop Dreams (Steve James, 1994)
- Sherman’s March (Ross McElwee, 1986)
- Bright Leaves (Ross McElwee, 2003)
- Stories We Tell (Sarah Polley, 2012)
- Brother’s Keeper (Joe Berlinger and Bruce Sinofsky, 1992)
- Encounters at the End of the World (Werner Herzog, 2007)
- Cave of Forgotten Dreams (Werner Herzog, 2010)
- Pina (Wim Wenders, 2011)
- Paris is Burning (Jennie Livington, 1990)
- Man on Wire (James Marsh, 2008)
- Senna (Asif Kapadia, 2010)
- Foreign Parts (Verena Paravel and J.P. Sniadecki, 2010)
- Leviathan (Verena Paravel and Lucien Castaing-Taylor, 2012)
- Particle Fever (Mark Levinson, 2013)
- Seven Up (Paul Almond, 1964)
- 7 Plus Seven (Michael Apted, 1970)
- 21 Up (Michael Apted, 1977)
- 28 Up (Michael Apted, 1985)
- 35 Up (Michael Apted, 1991)
- 42 Up (Michael Apted, 1998)
- 49 Up (Michael Apted, 2005)
- 56 Up (Michael Apted, 2012)
- The Civil War (Ken Burns, 1990)
- The Central Park Five (Ken Burns, Sarah Burns and David McMahon, 2012)
- Aileen Wuornos: Selling of a Serial Killer (Nick Broomfield, 1993)
- Aileen: Life and Death of a Serial Killer (Nick Broomfield, 2003)
- War Don Don (Rebecca Richman Cohen, 2010)
- This Is Not a Film (Jafar Panahi, 2011)
- The Missing Picture (Rithy Panh, 2013)
- The Act of Killing (Joshua Oppenheimer, 2012)
- Camp 14: Total Control Zone (Marc Wiese, 2012)
- The Red Chapel (Mads Brugger, 2009)
- The Ambassador (Mads Brugger, 2011)
- The Imposter (Bart Layton, 2012)
- Winged Migration (Jacques Perrin, Jacques Cluzaud and Michel Debats, 2001)
- Vivan las Antipodas (Victor Kossakovsky, 2011)
- Samsara (Ron Fricke, 2011)
- Life in a Day (Kevin MacDonald and Natalia Andreadis, 2011)
- Touching the Void (Kevin MacDonald, 2003)
- Let the Fire Burn (Jason Osder, 2013)
- How to Survive a Plague (David France, 2012)
- We Were Here (David Weissman and Bill Weber, 2011)
- Cutie and the Boxer (Zachary Heinzerling, 2013)
- Crazy Love (Dan Klores, 2007)
- Monica & David (Alexandra Codina, 2009)
- Maidentrip (Jillian Schlesinger, 2013)
- Jesus Camp (Rachel Grady and Heidi Ewing, 2006)
- Detropia (Rachel Grady and Heidi Ewing, 2012)
- Control Room (Jehane Noujaim, 2004)
- The Square (Jehane Noujaim, 2013)
- 5 Broken Cameras (Emad Burnat and Guy Davidi, 2012)
- Enron: The Smartest Guys in the Room (Alex Gibney, 2005)
- Client 9: The Rise and Fall of Eliot Spitzer (Alex Gibney, 2010)
- The House I Live In (Eugene Jarecki, 2012)
- Into the Abyss (Werner Herzog, 2011)
- The Interrupters (Steve James, 2011)
- Gideon’s Army (Dawn Porter, 2013)
- Which Way Home (Rebecca Cammisa, 2009)
- Girl Model (David Redmon and Ashley Sabin, 2011)
- Radio Bikini (Robert Stone, 1988)
- Pandora’s Promise (Robert Stone, 2013)
- Countdown to Zero (Lucy Walker, 2009)
- Gasland (Josh Fox, 2010)
- FrackNation (Phelim McAleer, Ann McElhinney and Magdalena Segieda, 2013)
- Dirty Wars (Rick Rowley, 2013)
- Call Me Kuchu (Katherine Fairfax Wright and Malika Zouhali-Worrall, 2012)
- The Black Power Mixtape 1967–1975 (Goran Olsson, 2011)
- Armadillo (Janus Metz Pedersen, 2010)
- Restrepo (Sebastian Junger and Tim Hetherington, 2010)
- Hell and Back Again (Danfung Dennis, 2011)
- Dogtown and Z-Boys (Stacy Peralta, 2002)
- This Ain’t California (Marten Persiel, 2012)
- Style Wars (Tony Silver, 1983)
- After Tiller (Martha Shane and Lana Wilson, 2013)
- The Invisible War (Kirby Dick, 2012)
- 20 Feet From Stardom (Morgan Neville, 2013)
- Bigger, Stronger, Faster (Chris Bell, 2008)
- Elaine Stritch: Shoot Me (Chiemi Karasawa, 2013)
- Far Out Isn’t Far Enough: The Tomi Ungerer Story (Brad Bernstein, 2012)
- The Art of the Steal (Don Argott, 2009)
- Helvetica (Gary Hustwit, 2007)
- Objectified (Gary Hustwit, 2009)
- Urbanized (Gary Hustwit, 2011)
- Exit Through the Gift Shop (Bansky, 2010)
- Marwencol (Jeff Malmberg, 2010)
- Her Master’s Voice (Nina Conti, 2012)
- Afternoon of a Faun: Tanaquil Le Clercq (Nancy Buirski, 2013)
- First Position (Bess Kargman, 2011)
- High Tech, Low Life (Stephen T. Maing, 2012)
- Ai Weiwei: Never Sorry (Alison Klayman, 2012)
- 1428 (Du Haibin, 2009)
- Blackfish (Gabriela Cowperthwaite, 2013)
- The Whale (Suzanne Chisholm and Michael Parfit, 2011)
- Berkeley in the Sixties (Mark Kitchell, 1990)
- A Fierce Green Fire (Mark Kitchell, 2012)
- Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)
- The Queen of Versailles (Lauren Greenfield, 2012)
- Tabloid (Errol Morris, 2010)
- Vernon, Florida (Errol Morris, 1981)