Netflix continues to add a lot of great new docs of their own to their streaming service, and that combined with the return of a number of favorites plus a grouping of World War II classics adds up to a whopping 24 additions to the Netflix 100 this month. As promised, it all begins with a new Werner Herzog film, Into the Inferno, which is kind of a sequel to Encounters at the End of the World, which is available again.
Other Netflix originals we think are worth checking out include the concert film Justin Timberlake + Tennesee Kids (see our ★★★★★ review) and The Ivory Game (available November 4th). Then there are the other new films, including shorts Extremis and The White Helmets, both of which were just shortlisted for the Oscar, and features Trapped, The Witness, Hooligan Sparrow (see our write-up here) and Presenting Princess Shaw, all Critics’ Choice Documentary Awards nominees, the last one my favorite music doc of the year.
Also The Chinese Mayor (see our ★★★★ review) and Pervert Park (see our ★★★★ review) are recent releases new to Netflix, while Jesus Camp, Beware of Mr. Baker, Best of Enemies and Evolution of a Criminal, the latter two briefly expired a month ago, are back. Under the Sun is another CCDA nominee that is coming, available on November 11, and the WWII docs The Battle of Midway, San Pietro, How to Operate Behind Enemy Lines, Report From the Aleutians, Tunisian Victory, Thunderbolt, Prelude to War and The Battle of Russia, the last two installments of the Why We Fight series, will be available on November 18.
Of course, all these new additions mean a lot to let go. Some are actually expired, namely Actress, The Whale, In the Shadow of the Moon and The Roosevelts: An Intimate History (which should have been gone last month because it’s a miniseries). The rest are reluctantly by choice, and among them are a few Herzogs because he’s taking up too much room: Into the Abyss, Little Dieter Needs to Fly and Happy People: A Year in the Taiga.
The others removed, hopefully only temporarily: Sembene!, Seymour: An Introduction, Dior and I, Iris, Mala Mala, My Prairie Home, Print the Legend, Point and Shoot, The Last Man on the Moon, Our Last Tango, Western, Cartel Land, Young @ Heart, Orion: The Man Who Would Be King, Blackfish, How to Change the World, Batkid Begins and Tony Robbins: I Am Not Your Guru.
Now a reminder of how the Netflix 100 titles are numerically arranged:
They are mostly ranked in order of my favor with some objective authority, but there are some clumps throughout the list that obviously fit together. Some are by director, some are by genre or subject matter and some are by series. In fact, I see this whole list as being best watched in order of the rankings.
There are a few double features in the bunch (Super Size Me and Super High Me and GasLand and FrackNation, for two example sets) and some groupings where I truly think the higher ranking title is best watched before a certain title or titles below it (Into the Inferno is sort of a sequel to Encounters at the End of the World and The Look of Silence is sort of a sequel to The Act of Killing, for two example sets).
- Extremis (Dan Krauss, 2016)
- The White Helmet (Orlando von Einsiedel, 2016)
- Encounters at the End of the World (Werner Herzog, 2007)
- Into the Inferno (Werner Herzog, 2016)
- Presenting Princess Shaw (Ido Haar, 2015)
- Justin Timberlake + Tennesse Kids (Jonathan Demme, 2016)
- Trapped (Dawn Porter, 2016)
- Hooligan Sparrow (Nanfu Wang, 2016)
- The Chinese Mayor (Hao Zhou, 2015)
- The Witness (James D. Solomon, 2015)
- Jesus Camp (Heidi Ewing and Rachel Grady, 2006)
- Best of Enemies (Robert Gordon and Morgan Neville, 2015)
- Evolution of a Criminal (Darius Clark Monroe, 2014)
- Beware of Mr. Baker (Jay Bulger, 2012)
- Pervert Park (Frida Barkfors and Lasse Barkfors, 2014)
- The Ivory Game (Kief Davidson and Richard Ladkani, 2016)
- Under the Sun (Vitaly Mansky, 2015)
- Why We Fight: Prelude to War (Frank Capra and Anatole Litvak, 1942)
- Why We Fight: The Battle of Russia (Frank Capra and Anatole Litvak, 1943)
- The Battle of Midway (John Ford, 1942)
- Undercover: How to Operate Behind Enemy Lines (John Ford, 1943)
- WWII: Report From the Aleutians (John Huston, 1943)
- Tunisian Victory (Frank Capra, Hugh Stewart and John Huston, 1944)
- San Pietro (John Huston, 1945)
- Thunderbolt (John Sturges and William Wyler, 1947)
- The Thin Blue Line (Errol Morris, 1988)
- Life Itself (Steve James, 2014)
- Brother’s Keeper (Joe Berlinger and Bruce Sinofsky, 1992)
- Aileen Wuornos: The Selling of a Serial Killer (Nick Broomfield, 1992)
- Aileen: Life and Death of a Serial Killer (Nick Broomfield, 2003)
- The Act of Killing: Director’s Cut (Joshua Oppenheimer, 2012)
- The Look of Silence (Joshua Opppenheimer, 2014)
- Super Size Me (Morgan Spurlock, 2004)
- Super High Me (Michael Blieden, 2007)
- Expedition to the End of the World (Daniel Dencik, 2013)
- Cave of Forgotten Dreams (Werner Herzog, 2010)
- Lessons of Darkness (Werner Herzog, 1992)
- Grizzly Man (Werner Herzog, 2005)
- Particle Fever (Mark Levinson, 2013)
- Moana With Sound (Robert J. Flaherty, Frances Hubbard Flaherty and Monica Flaherty, 1926/1980)
- Approaching the Elephant (Amanda Wilder, 2014)
- Finders Keepers (Bryan Carberry and J. Clay Tweel, 2015)
- In the Basement (Ulrich Seidl, 2014)
- The Nightmare (Rodney Ascher, 2015)
- My Beautiful Broken Brain (Sophie Robinson and Lotje Sodderland, 2014)
- Casting By (Tom Donahue, 2012)
- Lost in La Mancha (Keith Fulton and Louis Pepe, 2002)
- Looking for Richard (Al Pacino, 1996)
- The Imposter (Bart Layton, 2012)
- Stray Dog (Debra Granik, 2014)
- Last Days in Vietnam (Rory Kennedy, 2014)
- 1971 (Johanna Hamilton, 2014)
- The Trials of Muhammad Ali (Bill Siegel, 2013)
- 13th (Ava DuVernay, 2016)
- The Black Power Mixtape 1967–1975 (Goran Olsson, 2011)
- Concerning Violence (Goran Olsson, 2014)
- Virunga (Orlando von Einsiedel, 2014)
- How to Survive a Plague (David France, 2012)
- We Were Here (David Weissman and Bill Weber, 2011)
- Touching the Void (Kevin MacDonald, 2003)
- Sunshine Superman (Marah Strauch, 2014)
- Undefeated (Daniel Lindsay and T.J. Martin, 2011)
- Medora (Andrew Cohn and Davy Rothbart, 2013)
- Rich Hill (Andrew Droz Palermo and Tracy Droz Tragos, 2014)
- White Earth (Christian Jensen, 2014)
- The Overnighters (Jesse Moss, 2014)
- Detropia (Rachel Grady and Heidi Ewing, 2012)
- Street Fight (Marshall Curry, 2005)
- Democrats (Camilla Nielsson, 2014)
- The Square (Jehane Noujaim, 2013)
- Winter on Fire: Ukraine’s Fight for Freedom (Evgeny Afineevsky, 2015)
- Enron: The Smartest Guys in the Room (Alex Gibney, 2005)
- Kids for Cash (Robert May, 2013)
- The Farm: Angola USA (Liz Garbus, 1998)
- (T)error (Lyric R. Cabral and David Felix Sutcliffe, 2015)
- Finding Vivian Maier (John Maloof and Charlie Siskel, 2013)
- An Inconvenient Truth (Davis Guggenheim, 2006)
- Gasland (Josh Fox, 2010)
- FrackNation (Phelim McAleer, Ann McElhinney and Magdalena Segieda, 2013)
- Dirty Wars (Rick Rowley, 2013)
- Of Men and War (Laurent Becue-Renard, 2014)
- Restrepo (Sebastian Junger and Tim Hetherington, 2010)
- Hell and Back Again (Danfung Dennis, 2011)
- What Happened, Miss Simone? (Liz Garbus, 2015)
- Kurt & Courtney (Nick Broomfield, 1998)
- Kumare (Vikram Gandhi, 2011)
- Holy Hell (Will Allen, 2016)
- The Endless Summer (Bruce Brown, 1966)
- Pumping Iron (George Butler and Robert Fiore, 1977)
- Bigger, Stronger, Faster (Chris Bell, 2008)
- Exit Through the Gift Shop (Banksy, 2010)
- Sky Ladder: The Art of Cai Guo-Qiang (Kevin Macdonald, 2016)
- Ai Weiwei: Never Sorry (Alison Klayman, 2012)
- Jiro Dreams of Sushi (David Gelb, 2011)
- More Than Honey (Markus Imhoof, 2012)
- The Queen of Versailles (Lauren Greenfield, 2012)
- Amanda Knox (Rod Blackhurst and Brian McGinn, 2016)
- Tabloid (Errol Morris, 2010)
- Vernon, Florida (Errol Morris, 1981)
- Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)