More classic documentaries and other nonfiction favorites have expired from Netflix Watch Instantly in the past month, the most notable being Martin Scorsese’s concert film The Last Waltz. Two other longtime staples of our Netflix 100 lists now gone are the African LGBT rights film Call Me Kuchu and the Oscar-nominated Dirty Wars. Reportedly, Verena Paravel and Lucien Castaing-Taylor’s Leviathan will be joining them before November is through, but I’m keeping it here until I’m sure and also to recommend that you see it as soon as possible (I’ve moved it to the top of the list to remind you).
Fortunately, there are a handful of new additions to the streaming service that I’d like to highlight as essential viewing. There’s the new Netflix Original Winter on Fire: Ukraine’s Fight for Freedom, which is about the Euromaidan protests and fits well with fellow Netflix Original pick The Square. Also Rory Kennedy’s riveting history Last Days in Vietnam, Nina Davenport’s personal pregnancy doc First Comes Love, Robert B. Weide’s biographical portrait Woody Allen: A Documentary and the updated classic All American High Revisted.
That’s more additions than expirations, of course, so I chose two films for removal. One is The Unknown Known, because we have enough Errol Morris on the list, and that’s one of our least favorites, and the other is Trekkies, because while it’s a fine introduction and better-than-average example of the now too-popular fandom doc genre, it’s not quite as necessary as the rest of the titles here.
And here are a few coming attractions for you: films expected to hit Netflix Watch Instantly later in the month include Call Me Lucky, Dior and I and Best of Enemies.
Now a reminder of how the titles are numerically arranged:
They are mostly ranked in order of my favor with some objective authority, but there are some clumps throughout the list that obviously fit together. Some are by director, some are by genre or subject matter and some are by series. In fact, I see this whole list as being best watched in order of the rankings. There are a few double features in the bunch (Expedition to the End of the World and Encounters at the End of the World and The Act of Killing and Camp 14, for two example sets) and some groupings where I truly think the higher ranking title is best watched before a certain title or titles below it.
- Leviathan (Verena Paravel and Lucien Castaing-Taylor, 2012)
- The Thin Blue Line (Errol Morris, 1988)
- Hoop Dreams (Steve James, 1994)
- Life Itself (Steve James, 2014)
- Sherman’s March (Ross McElwee, 1986)
- Brother’s Keeper (Joe Berlinger and Bruce Sinofsky, 1992)
- Expedition to the End of the World (Daniel Dencik, 2013)
- Encounters at the End of the World (Werner Herzog, 2007)
- Cave of Forgotten Dreams (Werner Herzog, 2010)
- The End of Time (Peter Mettler, 2012)
- Particle Fever (Mark Levinson, 2013)
- Cosmos: A Spacetime Odyssey (Brannon Braga, Ann Druyan and Steven Soter, 2014)
- Pina (Wim Wenders, 2011)
- Paris is Burning (Jennie Livington, 1990)
- Man on Wire (James Marsh, 2008)
- Manakamana (Stephanie Spray and Pacho Velez, 2013)
- Approaching the Elephant (Amanda Wilder, 2014)
- Actress (Robert Greene, 2014)
- The Civil War (Ken Burns, 1990)
- Los Angeles Plays Itself (Thom Andersen, 2003)
- The Pervert’s Guide to Ideology (Sophie Fiennes, 2012)
- Room 237 (Rodney Ascher, 2013)
- The Nightmare (Rodney Ascher, 2015)
- Side By Side (Chris Kenneally, 2012)
- Woody Allen: A Documentary (Robert B. Weide, 2012)
- Casting By (Tom Donahue, 2012)
- Lost in La Mancha (Keith Fulton and Louis Pepe, 2002)
- Virunga (Orlando von Einsiedel, 2014)
- War Don Don (Rebecca Richman Cohen, 2010)
- The Missing Picture (Rithy Panh, 2013)
- The Act of Killing: Director’s Cut (Joshua Oppenheimer, 2012)
- Camp 14: Total Control Zone (Marc Wiese, 2012)
- The Imposter (Bart Layton, 2012)
- Naqoyqatsi (Godfrey Reggio, 2002)
- Samsara (Ron Fricke, 2011)
- Life in a Day (Kevin MacDonald and Natalia Andreadis, 2011)
- Touching the Void (Kevin MacDonald, 2003)
- Last Days in Vietnam (Rory Kennedy, 2014)
- Let the Fire Burn (Jason Osder, 2013)
- The Black Power Mixtape 1967–1975 (Goran Olsson, 2011)
- Concerning Violence (Goran Olsson, 2014)
- How to Die in Oregon (Peter Richardson, 2011)
- How to Survive a Plague (David France, 2012)
- Crazy Love (Dan Klores, 2007)
- All American High Revisited (Keva Rosenfeld, 2014)
- Maidentrip (Jillian Schlesinger, 2013)
- Undefeated (Daniel Lindsay and T.J. Martin, 2011)
- Medora (Andrew Cohn and Davy Rothbart, 2013)
- Rich Hill (Andrew Droz Palermo and Tracy Droz Tragos, 2014)
- White Earth (Christian Jensen, 2014)
- The Overnighters (Jesse Moss, 2014)
- Jesus Camp (Rachel Grady and Heidi Ewing, 2006)
- Detropia (Rachel Grady and Heidi Ewing, 2012)
- Caucus (AJ Schnack, 2013)
- Control Room (Jehane Noujaim, 2004)
- The Square (Jehane Noujaim, 2013)
- Winter on Fire: Ukraine’s Fight for Freedom (Evgeny Afineevsky, 2015)
- Enron: The Smartest Guys in the Room (Alex Gibney, 2005)
- Client 9: Rise and Fall of Eliot Spitzer (Alex Gibney, 2010)
- Kids for Cash (Robert May, 2013)
- The House I Live In (Eugene Jarecki, 2012)
- Into the Abyss (Werner Herzog, 2011)
- The Farm: Angola USA (Liz Garbus, 1998)
- Gideon’s Army (Dawn Porter, 2013)
- Evolution of a Criminal (Darius Clark Monroe, 2014)
- Which Way Home (Rebecca Cammisa, 2009)
- These Birds Walk (Omar Mullick and Bassam Tariq, 2013)
- Girl Model (David Redmon and Ashley Sabin, 2011)
- Iris (Albert Maysles, 2014)
- Mad Hot Ballroom (Marilyn Agrelo, 2005)
- Pandora’s Promise (Robert Stone, 2013)
- Countdown to Zero (Lucy Walker, 2009)
- Gasland (Josh Fox, 2010)
- FrackNation (Phelim McAleer, Ann McElhinney and Magdalena Segieda, 2013)
- Last Call at the Oasis (Jessica Yu, 2011)
- Restrepo (Sebastian Junger and Tim Hetherington, 2010)
- Hell and Back Again (Danfung Dennis, 2011)
- Out of the Clear Blue Sky (Danielle Gardner, 2012)
- First Comes Love (Nina Davenport, 2013)
- After Tiller (Martha Shane and Lana Wilson, 2013)
- Lady Valor: The Kristin Beck Story (Mark Herzog and Sandrine Orabona, 2014)
- The Invisible War (Kirby Dick, 2012)
- What Happened, Miss Simone? (Liz Garbus, 2015)
- Kurt & Courtney (Nick Broomfield, 1998)
- Beware of Mr. Baker (Jay Bulger, 2012)
- Bigger, Stronger, Faster (Chris Bell, 2008)
- This Ain’t California (Marten Persiel, 2012)
- Far Out Isn’t Far Enough: The Tomi Ungerer Story (Brad Bernstein, 2012)
- Exit Through the Gift Shop (Banksy, 2010)
- Print the Legend (Luis Lopez and J. Clay Tweel, 2014)
- Ai Weiwei: Never Sorry (Alison Klayman, 2012)
- Jiro Dreams of Sushi (David Gelb, 2011)
- More Than Honey (Markus Imhoof, 2012)
- Microcosmos (Claude Nuridsany and Marie Perennou, 1996)
- Blackfish (Gabriela Cowperthwaite, 2013)
- The Whale (Suzanne Chisholm and Michael Parfit, 2011)
- The Queen of Versailles (Lauren Greenfield, 2012)
- Tabloid (Errol Morris, 2010)
- Vernon, Florida (Errol Morris, 1981)
- Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)