It may not have won the Oscar, but The Look of Silence is now streaming on Netflix, and of course that means it’s been added to our Netflix 100 list. While the exposure from an Academy Awards spotlight would have been nice, the important thing is for the film to be seen, and now it can and will be seen by a lot more people. I’ve moved Joshua Oppenheimer’s previous film, the also Oscar-nominated The Act of Killing to the top of the list, since it ought to be seen first.
The next new addition this month is Jafar Panahi’s Taxi, a film that isn’t entirely classifiable as a documentary but is enough of a nonfiction film to merit its inclusion here. The other two you’ll see in blue below are titles returning to Netflix Watch Instantly. Finding Vivian Maier is a very problematic film in terms of questioning a certain conflict of interest on the part of one of the filmmakers, but the Oscar-nominated doc is so well-crafted that I think it’s worth seeing. And then there’s Kurt & Courtney, which I took off last month because it seemed to expire for good. I guess that was a temporary mistake, as it’s back.
The four new inclusions mostly fill in for titles that have expired from the service in the past month. They are Crazy Love, which hopefully everyone got a chance to watch for Valentine’s Day, Jesus Camp, which we warned you about last month, and Side by Side, the much better than expected doc on the film versus digital debate. For the fourth removal, I chose All American High Revisited, because it’s a neat time capsule artifact but not as essential as the stuff remaining on the list.
Now a reminder of how the Netflix 100 titles are numerically arranged:
They are mostly ranked in order of my favor with some objective authority, but there are some clumps throughout the list that obviously fit together. Some are by director, some are by genre or subject matter and some are by series. In fact, I see this whole list as being best watched in order of the rankings. There are a few double features in the bunch (Expedition to the End of the World and Encounters at the End of the World and Super Size Me and Super High Me, for two example sets) and some groupings where I truly think the higher ranking title is best watched before a certain title or titles below it.
- The Act of Killing: Director’s Cut (Joshua Oppenheimer, 2012)
- The Look of Silence (Joshua Opppenheimer, 2014)
- Taxi (Jafar Panahi, 2015)
- Finding Vivian Maier (John Maloof and Charlie Siskel, 2013)
- The Thin Blue Line (Errol Morris, 1988)
- The Cruise (Bennett Miller, 1998)
- Hoop Dreams (Steve James, 1994)
- Life Itself (Steve James, 2014)
- Sherman’s March (Ross McElwee, 1986)
- Brother’s Keeper (Joe Berlinger and Bruce Sinofsky, 1992)
- Aileen Wuornos: The Selling of a Serial Killer (Nick Broomfield, 1992)
- Aileen: Life and Death of a Serial Killer (Nick Broomfield, 2003)
- Super Size Me (Morgan Spurlock, 2004)
- Super High Me (Michael Blieden, 2007)
- Expedition to the End of the World (Daniel Dencik, 2013)
- Encounters at the End of the World (Werner Herzog, 2007)
- Cave of Forgotten Dreams (Werner Herzog, 2010)
- The End of Time (Peter Mettler, 2012)
- Particle Fever (Mark Levinson, 2013)
- Cosmos: A Spacetime Odyssey (Brannon Braga, Ann Druyan and Steven Soter, 2014)
- Paris is Burning (Jennie Livington, 1990)
- Moana With Sound (Robert J. Flaherty, Frances Hubbard Flaherty and Monica Flaherty, 1926/1980)
- Manakamana (Stephanie Spray and Pacho Velez, 2013)
- Approaching the Elephant (Amanda Wilder, 2014)
- Actress (Robert Greene, 2014)
- The Civil War (Ken Burns, 1990)
- Los Angeles Plays Itself (Thom Andersen, 2003)
- The Pervert’s Guide to Ideology (Sophie Fiennes, 2012)
- In the Basement (Ulrich Seidl, 2014)
- The Nightmare (Rodney Ascher, 2015)
- Casting By (Tom Donahue, 2012)
- Lost in La Mancha (Keith Fulton and Louis Pepe, 2002)
- Virunga (Orlando von Einsiedel, 2014)
- War Don Don (Rebecca Richman Cohen, 2010)
- The Imposter (Bart Layton, 2012)
- Naqoyqatsi (Godfrey Reggio, 2002)
- Samsara (Ron Fricke, 2011)
- Touching the Void (Kevin MacDonald, 2003)
- Last Days in Vietnam (Rory Kennedy, 2014)
- Chau, Beyond the Lines (Courtney Marsh, 2015)
- Best of Enemies (Robert Gordon and Morgan Neville, 2015)
- Let the Fire Burn (Jason Osder, 2013)
- The Black Power Mixtape 1967–1975 (Goran Olsson, 2011)
- Concerning Violence (Goran Olsson, 2014)
- How to Die in Oregon (Peter Richardson, 2011)
- How to Survive a Plague (David France, 2012)
- We Were Here (David Weissman and Bill Weber, 2011)
- Maidentrip (Jillian Schlesinger, 2013)
- Undefeated (Daniel Lindsay and T.J. Martin, 2011)
- Medora (Andrew Cohn and Davy Rothbart, 2013)
- Rich Hill (Andrew Droz Palermo and Tracy Droz Tragos, 2014)
- White Earth (Christian Jensen, 2014)
- The Overnighters (Jesse Moss, 2014)
- Detropia (Rachel Grady and Heidi Ewing, 2012)
- Caucus (AJ Schnack, 2013)
- The Square (Jehane Noujaim, 2013)
- Winter on Fire: Ukraine’s Fight for Freedom (Evgeny Afineevsky, 2015)
- Enron: The Smartest Guys in the Room (Alex Gibney, 2005)
- Kids for Cash (Robert May, 2013)
- The House I Live In (Eugene Jarecki, 2012)
- The Farm: Angola USA (Liz Garbus, 1998)
- Evolution of a Criminal (Darius Clark Monroe, 2014)
- Making a Murderer (Moira Demos and Laura Ricciardi, 2015)
- Last Day of Freedom (Dee Hibbert-Jones and Nomi Talisman, 2015)
- Cartel Land (Matthew Heineman, 2015)
- Which Way Home (Rebecca Cammisa, 2009)
- These Birds Walk (Omar Mullick and Bassam Tariq, 2013)
- Call Me Lucky (Bobcat Goldthwait, 2015)
- Girl Model (David Redmon and Ashley Sabin, 2011)
- Iris (Albert Maysles, 2014)
- Mad Hot Ballroom (Marilyn Agrelo, 2005)
- Gasland (Josh Fox, 2010)
- FrackNation (Phelim McAleer, Ann McElhinney and Magdalena Segieda, 2013)
- Restrepo (Sebastian Junger and Tim Hetherington, 2010)
- Hell and Back Again (Danfung Dennis, 2011)
- Out of the Clear Blue Sky (Danielle Gardner, 2012)
- First Comes Love (Nina Davenport, 2013)
- After Tiller (Martha Shane and Lana Wilson, 2013)
- Lady Valor: The Kristin Beck Story (Mark Herzog and Sandrine Orabona, 2014)
- Mala Mala (Dan Sickles and Antonio Santini, 2014)
- What Happened, Miss Simone? (Liz Garbus, 2015)
- Kurt & Courtney (Nick Broomfield, 1998)
- Beware of Mr. Baker (Jay Bulger, 2012)
- Pumping Iron (George Butler and Robert Fiore, 1977)
- Bigger, Stronger, Faster (Chris Bell, 2008)
- This Ain’t California (Marten Persiel, 2012)
- Exit Through the Gift Shop (Banksy, 2010)
- Far Out Isn’t Far Enough: The Tomi Ungerer Story (Brad Bernstein, 2012)
- Print the Legend (Luis Lopez and J. Clay Tweel, 2014)
- Ai Weiwei: Never Sorry (Alison Klayman, 2012)
- Jiro Dreams of Sushi (David Gelb, 2011)
- More Than Honey (Markus Imhoof, 2012)
- Microcosmos (Claude Nuridsany and Marie Perennou, 1996)
- Blackfish (Gabriela Cowperthwaite, 2013)
- The Whale (Suzanne Chisholm and Michael Parfit, 2011)
- Meet the Patels (Geeta Patel and Ravi Patel, 2014)
- The Queen of Versailles (Lauren Greenfield, 2012)
- Tabloid (Errol Morris, 2010)
- Vernon, Florida (Errol Morris, 1981)
- Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)