Rather than update our original list of the Best Documentaries on Netflix whenever a film expires or is added, we’d like to post a new version each month to keep things tidy and less confusing. And to make it even nicer for all of you, we’re going to note everything that has joined or left the guide.
Maybe it’s because Netflix is spending a lot of money on original programming now, but this month sees a lot of titles departing our Netflix 150 list, all because they’re no longer available through the streaming service. Thirteen documentaries are now gone, maybe for a while or perhaps just temporarily while their distributors work out the contracts (I had been told last month’s disappeared 56 Up would rejoin the rest in its series quickly following a license renewal, but it’s still unavailable to stream).
Here are the titles that are now gone: The Art of the Steal, Bright Leaves, The Red Chapel, We Were Here, 5 Broken Cameras, Informant, Last Days Here, Pumping Iron, Urbanized (now leaving only Objectified from Gary Hustwit’s design trilogy), Ken Burns’s Baseball and The Dust Bowl and Alan Berliner’s Family Instinct and Intimate Stranger (and all the other Berliner films that had been available). It should be noted that Jiro Dreams of Sushi is leaving on August 23rd, but I’m keeping it listed to remind you to watch it before then.
At first I thought with so many titles leaving, I should just drop the list down to only 100 recommendations again. But I easily found 13 other titles to take their place. They include the newly available Oscar nominee Joanna and the surprisingly great film industry doc Casting By, the very early silent doc The Epic of Everest, Godfrey Reggio’s least interesting yet still essential Qatsi installment Naqoyqatsi, the original hit fandom doc Trekkies (Trekkies 2 is also available) and the very distinctly different Charlie Victor Romeo, plus for various reasons Underwater Dreams, More Than Honey, Don’t Stop Believin’: Everyman’s Journey, Stolen Seas, Remote Area Medical, Microscosmos and the returning Joan Rivers: A Piece of Work.
Now a reminder of how the titles are numerically arranged:
They are mostly ranked in order of my favor with some objective authority, but there are some clumps throughout the list that obviously fit together. Some are by director, some are by genre or subject matter and some are by series — the Up installments are of varied quality, for instance, but they should be seen in order. In fact, I see this whole list as being best watched in order of the rankings. There are a few double features in the bunch (Expedition to the End of the World and Encounters at the End of the World and The Act of Killing and Camp 14, for two example sets) and some grouping where I truly think the higher ranking title is best watched before a certain title or titles below it.
- Man With a Movie Camera (Dziga Vertov, 1929)
- The Thin Blue Line (Errol Morris, 1988)
- Hoop Dreams (Steve James, 1994)
- Life Itself (Steve James, 2014)
- Sherman’s March (Ross McElwee, 1986)
- Stories We Tell (Sarah Polley, 2012)
- Brother’s Keeper (Joe Berlinger and Bruce Sinofsky, 1992)
- The Last Waltz (Martin Scorsese, 1978)
- The Epic of Everst (J.B.L. Noel, 1924)
- Expedition to the End of the World (Daniel Dencik, 2013)
- Encounters at the End of the World (Werner Herzog, 2007)
- Grizzly Man (Werner Herzog, 2005)
- Cave of Forgotten Dreams (Werner Herzog, 2010)
- The End of Time (Peter Mettler, 2012)
- Particle Fever (Mark Levinson, 2013)
- Cosmos: A Spacetime Odyssey (Brannon Braga, Ann Druyan and Steven Soter, 2014)
- Pina (Wim Wenders, 2011)
- Paris is Burning (Jennie Livington, 1990)
- The Order of Myths (Margaret Brown, 2008)
- The Great Invisible (Margaret Brown, 2014)
- Stolen Seas (Thymaya Payne, 2012)
- Man on Wire (James Marsh, 2008)
- Charlie Victor Romeo (Robert Berger, Patrick Daniels and Karlyn Michelson, 2013)
- Leviathan (Verena Paravel and Lucien Castaing-Taylor, 2012)
- Manakamana (Stephanie Spray and Pacho Velez, 2013)
- Approaching the Elephant (Amanda Wilder, 2014)
- Actress (Robert Greene, 2014)
- Seven Up (Paul Almond, 1964)
- 7 Plus Seven (Michael Apted, 1970)
- 21 Up (Michael Apted, 1977)
- 28 Up (Michael Apted, 1985)
- 35 Up (Michael Apted, 1991)
- 42 Up (Michael Apted, 1998)
- 49 Up (Michael Apted, 2005)
- American Promise (Joe Brewster and Michele Stephenson, 2013)
- The Civil War (Ken Burns, 1990)
- Prohibition (Ken Burns, 2012)
- Los Angeles Plays Itself (Thom Andersen, 2003)
- The Pervert’s Guide to Ideology (Sophie Fiennes, 2012)
- Room 237 (Rodney Ascher, 2013)
- Trekkies (Roger Nygard, 1997)
- Side By Side (Chris Kenneally, 2012)
- Casting By (Tom Donahue, 2012)
- Milius (Joey Figueroa and Zak Knutson, 2013)
- Lost in La Mancha (Keith Fulton and Louis Pepe, 2002)
- Aileen Wuornos: Selling of a Serial Killer (Nick Broomfield, 1993)
- Aileen: Life and Death of a Serial Killer (Nick Broomfield and Joan Churchill, 2003)
- Virunga (Orlando von Einsiedel, 2014)
- War Don Don (Rebecca Richman Cohen, 2010)
- The Unknown Known (Errol Morris, 2013)
- The Autobiography of Nicolae Ceausescu (Andrei Ujica, 2010)
- Pussy Riot: A Punk Prayer (Mike Lerner and Maxim Pozdorovkin, 2013)
- The Last of the Unjust (Claude Lanzmann, 2013)
- The Missing Picture (Rithy Panh, 2013)
- The Act of Killing: Director’s Cut (Joshua Oppenheimer, 2012)
- Camp 14: Total Control Zone (Marc Wiese, 2012)
- The Imposter (Bart Layton, 2012)
- Naqoyqatsi (Godfrey Reggio, 2002)
- Samsara (Ron Fricke, 2011)
- Life in a Day (Kevin MacDonald and Natalia Andreadis, 2011)
- Touching the Void (Kevin MacDonald, 2003)
- Let the Fire Burn (Jason Osder, 2013)
- The Black Power Mixtape 1967–1975 (Goran Olsson, 2011)
- Concerning Violence (Goran Olsson, 2014)
- How to Die in Oregon (Peter Richardson, 2011)
- How to Survive a Plague (David France, 2012)
- What Now? Remind Me (Joaquim Pinto, 2013)
- Call Me Kuchu (Katherine Fairfax Wright and Malika Zouhali-Worrall, 2012)
- God Loves Uganda (Roger Ross Williams, 2013)
- Crazy Love (Dan Klores, 2007)
- Monica and David (Alexandra Codina, 2009)
- Maidentrip (Jillian Schlesinger, 2013)
- Undefeated (Daniel Lindsay and T.J. Martin, 2011)
- Medora (Andrew Cohn and Davy Rothbart, 2013)
- Rich Hill (Andrew Droz Palermo and Tracy Droz Tragos, 2014)
- The Overnighters (Jesse Moss, 2014)
- Jesus Camp (Rachel Grady and Heidi Ewing, 2006)
- Detropia (Rachel Grady and Heidi Ewing, 2012)
- We Always Lie to Strangers (AJ Schnack and David Wilson, 2013)
- Caucus (AJ Schnack, 2013)
- Mitt (Greg Whiteley, 2014)
- Control Room (Jehane Noujaim, 2004)
- The Square (Jehane Noujaim, 2013)
- Return to Homs (Talal Derki, 2014)
- Maidan (Sergei Loznitsa, 2014)
- Point and Shoot (Marshall Curry, 2014)
- Enron: The Smartest Guys in the Room (Alex Gibney, 2005)
- Client 9: Rise and Fall of Eliot Spitzer (Alex Gibney, 2010)
- The Central Park 5 (Ken Burns, Sarah Burns and David McMahon, 2012)
- Kids for Cash (Robert May, 2013)
- The House I Live In (Eugene Jarecki, 2012)
- Into the Abyss (Werner Herzog, 2011)
- The Farm: Angola USA (Liz Garbus, 1998)
- Girlhood (Liz Garbus, 2003)
- Gideon’s Army (Dawn Porter, 2013)
- Evolution of a Criminal (Darius Clark Monroe, 2014)
- Which Way Home (Rebecca Cammisa, 2009)
- These Birds Walk (Omar Mullick and Bassam Tariq, 2013)
- Girl Model (David Redmon and Ashley Sabin, 2011)
- Mad Hot Ballroom (Marilyn Agrelo, 2005)
- First Position (Bess Kargman, 2011)
- Ballet 422 (Jody Lee Lipes, 2014)
- Underwater Dreams (Mary Mazzio, 2014)
- Radio Bikini (Robert Stone, 1988)
- Pandora’s Promise (Robert Stone, 2013)
- Countdown to Zero (Lucy Walker, 2009)
- Waste Land (Lucy Walker, 2010)
- Gasland (Josh Fox, 2010)
- FrackNation (Phelim McAleer, Ann McElhinney and Magdalena Segieda, 2013)
- Cool It (Ondi Timoner, 2010)
- Last Call at the Oasis (Jessica Yu, 2011)
- Berkeley in the Sixties (Mark Kitchell, 1990)
- A Fierce Green Fire (Mark Kitchell, 2012)
- Dirty Wars (Rick Rowley, 2013)
- Armadillo (Janus Metz Pedersen, 2010)
- Restrepo (Sebastian Junger and Tim Hetherington, 2010)
- Korengal (Sebastian Junger, 2014)
- Hell and Back Again (Danfung Dennis, 2011)
- Out of the Clear Blue Sky (Danielle Gardner, 2012)
- After Tiller (Martha Shane and Lana Wilson, 2013)
- Vessel (Diana Whitten, 2014)
- Lady Valor: The Kristin Beck Story (Mark Herzog and Sandrine Orabona, 2014)
- Joanna (Aneta Kopacz, 2013)
- The Invisible War (Kirby Dick, 2012)
- What Happened, Miss Simone? (Liz Garbus, 2015)
- 20 Feet From Stardom (Morgan Neville, 2013)
- Justin Bieber: Never Say Never (Jon M. Chu, 2011)
- Don’t Stop Believin’: Everman’s Journey (Ramona S. Diaz, 2012)
- Kurt & Courtney (Nick Broomfield, 1998)
- Biggie and Tupac (Nick Broomfield, 2002)
- Beware of Mr. Baker (Jay Bulger, 2012)
- Paul Williams Still Alive (Stephen Kessler, 2011)
- Bigger, Stronger, Faster (Chris Bell, 2008)
- This Ain’t California (Marten Persiel, 2012)
- An Honest Liar (Tyler Measom and Justin Weinstein, 2014)
- Joan Rivers: A Piece of Work (Ricki Stern and Anne Sundberg, 2010)
- Far Out Isn’t Far Enough: The Tomi Ungerer Story (Brad Bernstein, 2012)
- The Art of the Steal (Don Argott, 2009)
- Exit Through the Gift Shop (Banksy, 2010)
- Print the Legend (Luis Lopez and J. Clay Tweel, 2014)
- Objectified (Gary Hustwit, 2009)
- Ai Weiwei: Never Sorry (Alison Klayman, 2012)
- Jiro Dreams of Sushi (David Gelb, 2011)
- More Than Honey (Markus Imhoof, 2012)
- Microcosmos (Claude Nuridsany and Marie Perennou, 1996)
- Blackfish (Gabriela Cowperthwaite, 2013)
- The Whale (Suzanne Chisholm and Michael Parfit, 2011)
- The Queen of Versailles (Lauren Greenfield, 2012)
- Tabloid (Errol Morris, 2010)
- Vernon, Florida (Errol Morris, 1981)